"Robert Lopez is one of the most exciting writers working today.”
—Jenny Offill, author of Weather and Dept. of Speculation, on A Better Class of People

Robert Lopez’s grandfather Sixto was born in Mayaguez, Puerto Rico, in 1904, immigrating to the United States in the 1920s, where he lived in a racially proportioned apartment complex in East New York, Brooklyn, until his death in 1987. The family’s efforts to assimilate within their new homeland led to the near complete erasure of their heritage, culture, and language within two generations.

"Maloney writes lush, gritty, and compact vignettes that crescendo through bizarrely particular and hectic circumstances."
—Nathan Scott McNamara, Electric Literature, on Cult of Loretta

The Red-Headed Pilgrim is an irresistible novel of misadventure and new beginnings, of wanderlust and maybe bad decisions, of parenthood and divorce, and of the heartfelt truths we unearth when we least expect it.

"Kalani Pickhart's I Will Die in a Foreign Land is of the best kind of protest novels: one that makes you cry, and then makes you mad as hell. It is so far the best artistic treatment of the Euromaidan and Crimean situation, at turns tense, melancholy, and over-abundantly compassionate. This book is both the napalm and the bandages in one."
—Conor Hultman, Square Books (Oxford, MS)

In 1913, Igor Stravinsky’s The Rite of Spring premiered at the new Théâtre de Champs-Elysées in Paris. The work so perplexed audiences that a riot broke out. “Only a Russian could do that,” says Aleksandr Ivanovich. “Only a Russian could make the whole world go mad.”

A century later, in November 2013, thousands of Ukrainian citizens gathered at Independence Square in Kyiv to protest then-President Yanukovych’s failure to sign a referendum with the European Union, opting instead to forge a closer alliance with President Vladimir Putin and Russia. The peaceful protests turned violent when military police shot live ammunition into the crowd, killing over a hundred civilians.

I Will Die in a Foreign Land follows four individuals over the course of a volatile Ukrainian winter, as their lives are forever changed by the Euromaidan protests. Katya is a Ukrainian-American doctor stationed at a makeshift medical clinic in St. Michael’s Monastery; Misha is an engineer originally from Pripyat, who has lived in Kyiv since his wife’s death from radiation sickness; Slava is a fiery young activist whose past hardships steel her determination in the face of persecution; and Aleksandr Ivanovich, a former KGB agent, climbs atop a burned-out police bus at Independence Square and plays the piano.

As Katya, Misha, Slava, and Aleksandr’s lives become intertwined, they each seek their own solace during an especially tumultuous and violent period. The story is also told by a chorus of voices that incorporates folklore and narrates a turbulent Slavic history.

While unfolding an especially moving story of quiet beauty and love in a time of terror, I Will Die in a Foreign Land is an ambitious, intimate, and haunting portrait of human perseverance and empathy.

* A Best Book of 2020 —Kirkus Reviews, Book Riot, CBC, Globe and Mail, Largehearted Boy.

"In sharp pieces infused with a yearning for decolonized love and freedom, Belcourt, of the Driftpile Cree Nation, ably balances poetic, philosophical, and political insights throughout this unique book... An urgently needed, unyielding book of theoretical and intimate strength."
—Kirkus Reviews, starred review

The youngest ever winner of the Griffin Prize mines his personal history in a brilliant new essay collection seeking to reconcile the world he was born into with the world that could be.

For readers of Ocean Vuong and Maggie Nelson and fans of Heart Berries by Terese Marie Mailhot, A History of My Brief Body is a brave, raw, and fiercely intelligent collection of essays and vignettes on grief, colonial violence, joy, love, and queerness.

Billy-Ray Belcourt’s debut memoir opens with a tender letter to his kokum and memories of his early life in the hamlet of Joussard, Alberta, and on the Driftpile First Nation. Piece by piece, Billy-Ray’s writings invite us to unpack and explore the big and broken world he inhabits every day, in all its complexity and contradiction: a legacy of colonial violence and the joy that flourishes in spite of it; first loves and first loves lost; sexual exploration and intimacy; the act of writing as a survival instinct and a way to grieve. What emerges is not only a profound meditation on memory, gender, anger, shame, and ecstasy, but also the outline of a way forward. With startling honesty, and in a voice distinctly and assuredly his own, Belcourt situates his life experiences within a constellation of seminal queer texts, among which this book is sure to earn its place.

Eye-opening, intensely emotional, and excessively quotable, A History of My Brief Body demonstrates over and over again the power of words to both devastate and console us.

BuzzFeed "Most Highly Anticipated Books Of 2020"

Ant is back in Chicago for a funeral, and he typically enjoys funerals. Since most of his family has passed away, he finds himself strangely attracted to their endearing qualities: the hyperbolic language, the stoner altar boy, seeing friends in suits for the first time. That is, until the tragic death of Ray—Ant’s childhood friend, Vince’s teenage cousin. Ray was the younger third-wheel that Ant and Victor were stuck babysitting while in high school, and his sudden death makes national news.

In the depths of a brutal Midwest winter, Ant rides with Vince through the falling snow to Ray’s funeral, an event that has been accruing a sense of consequence. With a poet’s sensibility, Shah navigates the murky responsibilities of adulthood, grief, toxic masculinity, and the tragedy of revenge in this haunting Midwestern noir.

*A Best Book of 2019 —Pop Matters
*A Most Anticipated Book of 2019 —LitReactor, The A.V. Club, Big Other

"A complete, deep, satisfying read... The variety of structures, formats, and rhythms Perry uses in Some of Us Are Very Hungry Now is extraordinary... These essays shine with broken humanity and announce the arrival of a new voice in contemporary nonfiction, but they do so with heaps of melancholia and frustration instead of answers. That Perry can hurt us and keep us asking for more is a testament to his talent as a storyteller."
—Gabino Iglesias, NPR

With luminous insight and fervent prose, Andre Perry’s debut collection of personal essays travels from Washington DC to Iowa City to Hong Kong in search of both individual and national identity. While displaying tenderness and a disarming honesty, Perry catalogues racial degradations committed on the campuses of elite universities to liberal bastions like San Francisco while coming of age in America.

The essays in Some of Us Are Very Hungry Now take the form of personal reflection, multiple choice questions, screenplays, and imagined talk-show conversations, while traversing the daily minefield of a childhood schoolyard to dimly-lit late nights in Midwestern bars. The impression of Perry’s personal journey is arresting and beguiling, while announcing the author’s arrival as a formidable and ferocious American voice.

"Savage Gods is a beautiful, intelligent, extremely poetic book about a writer dissecting his thoughts and feelings on the page without the protective layer of fiction."
—Gabino Iglesias, NPR

After moving with his wife and two children to a smallholding in Ireland, Paul Kingsnorth expects to find contentment. It is the goal he has sought — to nest, to find home — after years of rootlessness as an environmental activist and author. Instead he finds that his tools as a writer are failing him, calling into question his foundational beliefs about language and setting him at odds with culture itself.

Informed by his experiences with indigenous peoples, the writings of D.H. Lawrence and Annie Dillard, and the day-to-day travails of farming his own land, Savage Gods asks: what does it mean to belong? What sacrifices must be made in order to truly inhabit a life? And can words ever paint the truth of the world — or are they part of the great lie which is killing it?

John and Joey are a young couple immersed in their local midwestern punk scene, who after graduating college sever all ties and move to a perverse and nameless northeastern coastal city. They drift in and out of art museums, basement shows, and derelict squats seemingly unfazed as the city slowly slides into chaos around them.

Late one night, forced out of their living space, John and Joey are driven to take shelter in a chain pharmacy before emerging to a city in full-scale riot. They find themselves the only passengers on a commuter train headed north, and exit at the final stop to discover the area entirely devoid of people. As John and Joey negotiate their future through bizarre, troubling manifestations of the landscape and a succession of abandoned mansions housing only scant clues to their owners' strange and sudden disappearance, they're also forced to confront the resurgent violence and buried memories of their shared past.

With incisive precision and a cool detachment, Simon Jacobs has crafted a surreal and spellbinding first novel of horror and intrigue.

*Best Books of 2017 —NPR, Buzzfeed, Paste Magazine, Esquire, Chicago Tribune, Vol. 1 Brooklyn, CBC, Stereogum, National Post, Entropy, Heavy, Book Riot, Chicago Review of Books, The Los Angeles Review, Michigan Daily
*American Booksellers Association (ABA) 'December 2017 Indie Next List Great Reads'
*Midwest Indie Bestseller

In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly. In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of black Americans, Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car. In essays that have been published by the New York Times, MTV, and Pitchfork, among others—along with original, previously unreleased essays—Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times.

*Winner of the Rome Prize for Literature 2018-19

With all the brilliance, bravado, and wit of his award-winning debut, A Questionable Shape, Bennett Sims returns with an equally ambitious and wide-ranging collection of stories.

A house-sitter alone in a cabin in the woods comes to suspect that the cabin may need to be “unghosted.” A raconteur watches as his personal story is rewritten on an episode of This American Life. And in the collection’s title story, a Hitchcock scholar sitting in on a Vertigo lecture is gradually driven mad by his own theory of cinema.

In these eleven stories, Sims moves from slow-burn psychological horror to playful comedy, bringing us into the minds of people who are haunted by their environments, obsessions, and doubts. Told in electric, insightful prose, White Dialogues is a profound exploration of the way we uncover meaning in a complex, and sometimes terrifying, world. It showcases Sims’s rare talent and confirms his reputation as one of the most exciting young writers at work today.