"In sharp pieces infused with a yearning for decolonized love and freedom, Belcourt, of the Driftpile Cree Nation, ably balances poetic, philosophical, and political insights throughout this unique book... An urgently needed, unyielding book of theoretical and intimate strength."
—Kirkus Reviews, starred review

The youngest ever winner of the Griffin Prize mines his personal history in a brilliant new essay collection seeking to reconcile the world he was born into with the world that could be.

For readers of Ocean Vuong and Maggie Nelson and fans of Heart Berries by Terese Marie Mailhot, A History of My Brief Body is a brave, raw, and fiercely intelligent collection of essays and vignettes on grief, colonial violence, joy, love, and queerness.

Billy-Ray Belcourt’s debut memoir opens with a tender letter to his kokum and memories of his early life in the hamlet of Joussard, Alberta, and on the Driftpile First Nation. Piece by piece, Billy-Ray’s writings invite us to unpack and explore the big and broken world he inhabits every day, in all its complexity and contradiction: a legacy of colonial violence and the joy that flourishes in spite of it; first loves and first loves lost; sexual exploration and intimacy; the act of writing as a survival instinct and a way to grieve. What emerges is not only a profound meditation on memory, gender, anger, shame, and ecstasy, but also the outline of a way forward. With startling honesty, and in a voice distinctly and assuredly his own, Belcourt situates his life experiences within a constellation of seminal queer texts, among which this book is sure to earn its place.

Eye-opening, intensely emotional, and excessively quotable, A History of My Brief Body demonstrates over and over again the power of words to both devastate and console us.

"Alzayat’s slim, powerful debut collection showcases the author’s deep empathy and imagination in stories about grief, assimilation, and trauma... This intelligent collection is a force to be reckoned with."
—Publishers Weekly, starred review

The award-winning stories in Dima Alzayat’s collection are luminous and tender, whether dealing with a woman performing burial rites for her brother in “Ghusl,” or a great-aunt struggling to explain cultural identity to her niece in “Once We Were Syrians.”

Alzayat’s stories are rich and relatable, chronicling a sense of displacement through everyday scenarios. There is the intern in pre-#MeToo Hollywood of “Only Those Who Struggle Succeed,” the New York City children on the lookout for a place to play on the heels of Etan Patz’s kidnapping in “Disappearance,” and the “dangerous” women of “Daughters of Manāt” who struggle to assert their independence.

The title story, “Alligator,” is a masterpiece of historical reconstruction and intergenerational trauma, told in an epistolary format through social media posts, newspaper clippings, and testimonials, that starts with the true story of the lynching of a Syrian immigrant couple by law officers in small-town Florida. Placed in a wider context of U.S. racial violence, the extrajudicial deaths, and what happens to the couple’s children and their children’s children in the years after, challenges the demands of American assimilation and its limits.

Alligator and Other Stories is haunting, spellbinding, and unforgettable, while marking Dima Alzayat’s arrival as a tremendously gifted new talent.

*A Best Book of 2019 —Pop Matters
*A Most Anticipated Book of 2019 —LitReactor, The A.V. Club, Big Other

"A complete, deep, satisfying read... The variety of structures, formats, and rhythms Perry uses in Some of Us Are Very Hungry Now is extraordinary... These essays shine with broken humanity and announce the arrival of a new voice in contemporary nonfiction, but they do so with heaps of melancholia and frustration instead of answers. That Perry can hurt us and keep us asking for more is a testament to his talent as a storyteller."
—Gabino Iglesias, NPR

With luminous insight and fervent prose, Andre Perry’s debut collection of personal essays travels from Washington DC to Iowa City to Hong Kong in search of both individual and national identity. While displaying tenderness and a disarming honesty, Perry catalogues racial degradations committed on the campuses of elite universities to liberal bastions like San Francisco while coming of age in America.

The essays in Some of Us Are Very Hungry Now take the form of personal reflection, multiple choice questions, screenplays, and imagined talk-show conversations, while traversing the daily minefield of a childhood schoolyard to dimly-lit late nights in Midwestern bars. The impression of Perry’s personal journey is arresting and beguiling, while announcing the author’s arrival as a formidable and ferocious American voice.

*The Believer Book Awards, 2019: Editors' Longlists in Fiction
*The Northern California ‘Golden Poppy’ Book Awards 2019, Fiction longlist
*A Best Book of 2019 —Vulture

"Etter brilliantly, viciously lays bare what it means to be a woman in the world, what it means to hurt, to need, to want, so much it consumes everything.” —Roxane Gay, author of Bad Feminist

A surreal exploration of one woman’s life and death against a landscape of meat, office desks, and bad men.

The Book of X tells the tale of Cassie, a girl born with her stomach twisted in the shape of a knot. From childhood with her parents on the family meat farm, to a desk job in the city, to finally experiencing love, she grapples with her body, men, and society, all the while imagining a softer world than the one she is in. Twining the drama of the everyday—school-age crushes, paying bills, the sickness of parents—with the surreal—rivers of thighs, men for sale and fields of throats—Cassie’s realities alternate to create a blurred, fantastic world of haunting beauty.

*Best Books of 2017 —NPR, Buzzfeed, Paste Magazine, Esquire, Chicago Tribune, Vol. 1 Brooklyn, CBC, Stereogum, National Post, Entropy, Heavy, Book Riot, Chicago Review of Books, The Los Angeles Review, Michigan Daily
*American Booksellers Association (ABA) 'December 2017 Indie Next List Great Reads'
*Midwest Indie Bestseller

In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly. In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of black Americans, Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car. In essays that have been published by the New York Times, MTV, and Pitchfork, among others—along with original, previously unreleased essays—Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times.

Unless your child is an '80s villain, we can all agree that Brad, Todd, and Brandi with an 'i' are all atrocious ideas. This Two Dollar Radio Guide will help you name your child by calling attention to those names you should probably definitely avoid.

Inside, you’ll find musings on all the worst monikers—even yours—which means you now have a new gift idea for your family members. Who needs 23 and Me, when rather than finding out if you’re 2.7 percent Welsh, you can get to the bottom of why your cousin Dale Henry is an 8-year-old girl with an overbite, and not a grizzled country and western singer.<br> Also inside: <li>Fiona: Ahh, yes, you like Disney. Who doesn’t? But there are no actual princesses, while many women grow up to become penpals with murderers and marry them in prison. You’re playing with fire. <li>Dylan: Can you still love your child if they grow up to send dick pics through LinkedIn? <li>Hailey: It’s hard to hear anyone say “I’m not racist, but…” especially when it’s a 14-year-old. Who wronged her? It was you.<br> In this ever-changing world, it’s hard to know how life is going to turn out for your new- or soon-to-be-born. You can’t keep them from getting their heart broken. And you won’t be able to shield every force of evil from them over the course of their whole life. You will, however, be able to avoid naming them Harley. You will need our help.