"Bromwich infects the senses with dread and wicked insight from the first page to the last—this is a stunning experience not to be missed."
—Maryse Meijer, author of The Seventh Mansion

With assurance and remarkable dexterity, Kathryn Bromwich’s masterful debut novel is a rich, gorgeously descriptive account of a woman hiding from old ghosts and new in the Italian Alps, while rekindling her own sense of self through nature.

 "A masterpiece clear and honest and alive to the world and its contradictions. Dispatches from Puerto Nowhere will hit you where you live."
—Justin Torres, author of We the Animals

Robert Lopez’s grandfather Sixto was born in Mayaguez, Puerto Rico, in 1904, immigrating to the United States in the 1920s, where he lived in a racially proportioned apartment complex in East New York, Brooklyn, until his death in 1987. The family’s efforts to assimilate within their new homeland led to the near complete erasure of their heritage, culture, and language within two generations.

"Kalani Pickhart's I Will Die in a Foreign Land is of the best kind of protest novels: one that makes you cry, and then makes you mad as hell. It is so far the best artistic treatment of the Euromaidan and Crimean situation, at turns tense, melancholy, and over-abundantly compassionate. This book is both the napalm and the bandages in one."
—Conor Hultman, Square Books (Oxford, MS)

In 1913, Igor Stravinsky’s The Rite of Spring premiered at the new Théâtre de Champs-Elysées in Paris. The work so perplexed audiences that a riot broke out. “Only a Russian could do that,” says Aleksandr Ivanovich. “Only a Russian could make the whole world go mad.”

A century later, in November 2013, thousands of Ukrainian citizens gathered at Independence Square in Kyiv to protest then-President Yanukovych’s failure to sign a referendum with the European Union, opting instead to forge a closer alliance with President Vladimir Putin and Russia. The peaceful protests turned violent when military police shot live ammunition into the crowd, killing over a hundred civilians.

I Will Die in a Foreign Land follows four individuals over the course of a volatile Ukrainian winter, as their lives are forever changed by the Euromaidan protests. Katya is a Ukrainian-American doctor stationed at a makeshift medical clinic in St. Michael’s Monastery; Misha is an engineer originally from Pripyat, who has lived in Kyiv since his wife’s death from radiation sickness; Slava is a fiery young activist whose past hardships steel her determination in the face of persecution; and Aleksandr Ivanovich, a former KGB agent, climbs atop a burned-out police bus at Independence Square and plays the piano.

As Katya, Misha, Slava, and Aleksandr’s lives become intertwined, they each seek their own solace during an especially tumultuous and violent period. The story is also told by a chorus of voices that incorporates folklore and narrates a turbulent Slavic history.

While unfolding an especially moving story of quiet beauty and love in a time of terror, I Will Die in a Foreign Land is an ambitious, intimate, and haunting portrait of human perseverance and empathy.

An entrancing and prismatic debut novel by Christine Lai, set in a near future fraught with ecological collapse, Landscapes brilliantly explores memory, empathy, preservation, and art as an instrument for recollection and renewal.

Recalling the works of Rachel Cusk and Kazuo Ishiguro, Landscapes is an evocative reinvention of the pastoral and the country house novel for our age of catastrophe, and announces the arrival of an extraordinarily gifted new writer.

From the award-winning author of A Questionable Shape and White Dialogues, a brilliant, anxious, and hilarious new collection.

A man lends his phone to a stranger in the mall, setting off an uncanny series of Unknown calls that come to haunt his relationship with jealousy and dread. A well-meaning locavore tries to butcher his backyard chickens humanely, only to find himself absorbed into the absurd violence of the pecking order. A student applying for a philosophy fellowship struggles to project himself into the thoughts of his hypothetical judges, becoming increasingly possessed and overpowered by the problem of other minds. And in “The Postcard,” a private detective is hired to investigate a posthumous message that a widower has seemingly received from his dead wife, leading him into a foggy landscape of lost memories, shifting identities, and strange doublings.

Cerebral and eerie, captivating and profound, these thirteen stories expertly guide us through the paranoia and obsession of everyday horrors, not least the horrors of overthinking what other people might be thinking. With all of Sims’s trademark virtuosity, innovation, and wit, Other Minds and Other Stories continues to expand the possibilities of contemporary fiction.

"Prescient and timeless, dealing with the inseparability of life and decay, this story, through it all, allowed me to sit deeply with love, family, and forgiveness. Pay attention, a refreshingly honest and singular voice has arrived."
—Dantiel W. Moniz, author of Milk Blood Heat

Entrancing and sentimental, told with wit and sharp insight, The Holy Days of Gregorio Pasos examines the joys and traumas of the Latinx American experience through the lens of a young man awakening to the nuances of identity, love, colonization, and home.

"The Red-Headed Pilgrim is a revelation that achieves starry dynamo-level energy from the jump. Maloney's prose is sharp and vivid, full of trippy precision, and his story is funny, wild, painful and wise."
—Sam Lipsyte, author of Hark and The Ask

The Red-Headed Pilgrim is an irresistible novel of misadventure and new beginnings, of wanderlust and maybe bad decisions, of parenthood and divorce, and of the heartfelt truths we unearth when we least expect it.

*Best Books of 2017 —NPR, Buzzfeed, Paste Magazine, Esquire, Chicago Tribune, Vol. 1 Brooklyn, CBC, Stereogum, National Post, Entropy, Heavy, Book Riot, Chicago Review of Books, The Los Angeles Review, Michigan Daily
*American Booksellers Association (ABA) 'December 2017 Indie Next List Great Reads'
*Midwest Indie Bestseller

In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly. In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of black Americans, Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car. In essays that have been published by the New York Times, MTV, and Pitchfork, among others—along with original, previously unreleased essays—Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times.