* A Best Book of 2020 —Kirkus Reviews, Book Riot, CBC, Globe and Mail, Largehearted Boy.

"In sharp pieces infused with a yearning for decolonized love and freedom, Belcourt, of the Driftpile Cree Nation, ably balances poetic, philosophical, and political insights throughout this unique book... An urgently needed, unyielding book of theoretical and intimate strength."
—Kirkus Reviews, starred review

The youngest ever winner of the Griffin Prize mines his personal history in a brilliant new essay collection seeking to reconcile the world he was born into with the world that could be.

For readers of Ocean Vuong and Maggie Nelson and fans of Heart Berries by Terese Marie Mailhot, A History of My Brief Body is a brave, raw, and fiercely intelligent collection of essays and vignettes on grief, colonial violence, joy, love, and queerness.

Billy-Ray Belcourt’s debut memoir opens with a tender letter to his kokum and memories of his early life in the hamlet of Joussard, Alberta, and on the Driftpile First Nation. Piece by piece, Billy-Ray’s writings invite us to unpack and explore the big and broken world he inhabits every day, in all its complexity and contradiction: a legacy of colonial violence and the joy that flourishes in spite of it; first loves and first loves lost; sexual exploration and intimacy; the act of writing as a survival instinct and a way to grieve. What emerges is not only a profound meditation on memory, gender, anger, shame, and ecstasy, but also the outline of a way forward. With startling honesty, and in a voice distinctly and assuredly his own, Belcourt situates his life experiences within a constellation of seminal queer texts, among which this book is sure to earn its place.

Eye-opening, intensely emotional, and excessively quotable, A History of My Brief Body demonstrates over and over again the power of words to both devastate and console us.

*Winner of the Rome Prize for Literature 2018-19
*Bard Fiction Prize 2014
*The Believer Book Award Finalist
*One of the Best Books of 2013 —Complex Magazine, Book Riot, Slate, The L Magazine, NPR's 'On Point', Salon

Mazoch discovers an unreturned movie envelope, smashed windows, and a pool of blood in his father’s house: the man has gone missing. So he creates a list of his father’s haunts and asks Vermaelen to help track him down. 

However, hurricane season looms over Baton Rouge, threatening to wipe out any undead not already contained and eliminate all hope of ever finding Mazoch’s father. 

Bennett Sims turns typical zombie fare on its head to deliver a wise and philosophical rumination on the nature of memory and loss.

As we follow characters on their journeys of self-discovery through the jungle of Thailand, as a child in the British countryside, or as an aging doctor on the island of Cyprus, Absence evocatively builds a compassionate symphony of nostalgia, attuned to the drama of everyday and the phantoms that linger with us. Issa Quincy has constructed a transcendent portrait of humanity, deftly illuminating those memories that forever bind us to one another.

As we follow characters on their journeys of self-discovery through the jungle of Thailand, as a child in the British countryside, or as an aging doctor on the island of Cyprus, Absence evocatively builds a compassionate symphony of nostalgia, attuned to the drama of everyday and the phantoms that linger with us. Issa Quincy has constructed a transcendent portrait of humanity, deftly illuminating those memories that forever bind us to one another.

(ALL AUTHOR PROCEEDS, MATCHED BY TWO DOLLAR RADIO, WILL BE DONATED TO IRC).
*One of the Best Books of 2014  —NPR, Flavorwire
*A Top-10 Independently-Published Title Overlooked by the National Book Foundation  —Electric Literature

Leah’s little brother, Jacob, disappeared when the pair were younger, a tragedy that haunts her still. When a grown man arrives at the non-profit Leah directs claiming to be Jacob, she is wrenched back to her childhood, an iridescent tableau of family joy and strife, swimming at the lake, sneaking candy, late-night fears and the stories told to quell them.

Ancient Oceans of Central Kentucky is a wrecking-ball of a novel that attempts to give meaning and poetry to everything that comprises small-town life in central Kentucky. Listen: they are the ghost stories that children tell one another, the litter that skirts the gulley, the lines at department stores. A gorgeous, haunting, prismatic jewel of a book.

*One of the Best Books of 2013 —The Millions, Flavorwire, Dazed & Confused, The L Magazine, Time Out Chicago

"McClanahan's prose is miasmic, dizzying, repetitive. A rushing river of words that reflects the chaos and humanity of the place from which he hails. [McClanahan] aims to lasso the moon... He is not a writer of half-measures. The man has purpose. This is his symphony, every note designed to resonate, to linger."
—Allison Glock, New York Times Book Review

Synopsis

Crapalachia is a portrait of Scott McClanahan’s formative years, coming of age in rural West Virginia, during a stretch of time where he was deeply influenced by his Grandma Ruby and Uncle Nathan, who suffered from cerebral palsy. 

Peopled by colorful characters and their quirky stories, Crapalachia interweaves oral folklore and area history, providing an ambitious and powerful snapshot of overlooked Americana. 

Beyond the artistry, there is an optimism, a genuine love for people and the past and memories. Even more, there is a grasp to bridge the disconnect between reader and writer, for McClanahan’s stories to bind us closer to one another.

 "A masterpiece clear and honest and alive to the world and its contradictions. Dispatches from Puerto Nowhere will hit you where you live."
—Justin Torres, author of We the Animals

Robert Lopez’s grandfather Sixto was born in Mayaguez, Puerto Rico, in 1904, immigrating to the United States in the 1920s, where he lived in a racially proportioned apartment complex in East New York, Brooklyn, until his death in 1987. The family’s efforts to assimilate within their new homeland led to the near complete erasure of their heritage, culture, and language within two generations.

* A Best Book of 2017 —Writer's Bone

"[A] mysterious work of metafiction... dizzying, arresting and defiantly bold."
—Chicago Tribune

Amrapali Anna Singh is an historian and analyst capable of discerning the most cryptic and trivial details from audio recordings. One day, a mysterious man appears at her office in Dutch Harbor, Alaska, having traveled a great distance to bring her three Type IV audio cassettes that bear the stamp of a library in Buenos Aires that may or may not exist.

On the cassettes is the deposition of an adventure journalist and his obsessive pursuit of an amorphous, legendary, and puzzling "City of Dreams." Spanning decades, his quest leads him from a snake-hunter in the Louisiana bayou to the walled city of Kowloon on the eve of its destruction, from the Singing Dunes of Mongolia to a chess tournament in Istanbul. The deposition also begs the question: Who is making the recording, and why?

Despite being explicitly instructed not to, curiosity gets the better of Singh and she mails a transcription of the cassettes with her analysis to an acquaintance before vanishing. The man who bore the cassettes, too, has disappeared. The journalist was unnamed.

Here—for the first time—is the complete archival manuscript of the mysterious recordings accompanied by Singh's analysis.

"Kalani Pickhart's I Will Die in a Foreign Land is of the best kind of protest novels: one that makes you cry, and then makes you mad as hell. It is so far the best artistic treatment of the Euromaidan and Crimean situation, at turns tense, melancholy, and over-abundantly compassionate. This book is both the napalm and the bandages in one."
—Conor Hultman, Square Books (Oxford, MS)

In 1913, Igor Stravinsky’s The Rite of Spring premiered at the new Théâtre de Champs-Elysées in Paris. The work so perplexed audiences that a riot broke out. “Only a Russian could do that,” says Aleksandr Ivanovich. “Only a Russian could make the whole world go mad.”

A century later, in November 2013, thousands of Ukrainian citizens gathered at Independence Square in Kyiv to protest then-President Yanukovych’s failure to sign a referendum with the European Union, opting instead to forge a closer alliance with President Vladimir Putin and Russia. The peaceful protests turned violent when military police shot live ammunition into the crowd, killing over a hundred civilians.

I Will Die in a Foreign Land follows four individuals over the course of a volatile Ukrainian winter, as their lives are forever changed by the Euromaidan protests. Katya is a Ukrainian-American doctor stationed at a makeshift medical clinic in St. Michael’s Monastery; Misha is an engineer originally from Pripyat, who has lived in Kyiv since his wife’s death from radiation sickness; Slava is a fiery young activist whose past hardships steel her determination in the face of persecution; and Aleksandr Ivanovich, a former KGB agent, climbs atop a burned-out police bus at Independence Square and plays the piano.

As Katya, Misha, Slava, and Aleksandr’s lives become intertwined, they each seek their own solace during an especially tumultuous and violent period. The story is also told by a chorus of voices that incorporates folklore and narrates a turbulent Slavic history.

While unfolding an especially moving story of quiet beauty and love in a time of terror, I Will Die in a Foreign Land is an ambitious, intimate, and haunting portrait of human perseverance and empathy.

*The Believer Book Award Finalist
* Winner of the 2013 IPPY Award for GAY/LESBIAN/BI/TRANS FICTION

“I was in Zagreb the day that Michael Jackson died. When I heard the news, the first thing I thought was, That’s it. That’s the first line of my novel. ‘I was in Zagreb the day that Michael Jackson died.’” 

First Michael Jackson, then Pina Bausch. Next is Merce Cunningham. 

Gray Adams, a former dancer with the Royal Swiss Ballet at work on his dissertation at NYU, has a theory spurred by countless hours of YouTube-based procrastination: Someone is killing these famous dancers! (And he may bear an uncanny resemblance to Jimmy Stewart, circa Vertigo.) 

I’m Trying to Reach You is a moving and candid contemporary look at how we process grief, as well as how we love and communicate with one another.

*One of the best books of 2014  —Flavorwire, Entropy Magazine

"Made to Break, D. Foy’s debut novel, snaps. Literary, cinematic... [Foy] is a writing school of one, and Made to Break ushers his literary energies into categorical existence."
—The Daily Beast

Two days before New Years, a pack of five friends—three men and two women—head to a remote cabin near Lake Tahoe to celebrate the holidays. They’ve been buddies forever, banded together by scrapes and squalor, their relationships defined by these wild times. 

After a car accident leaves one friend sick and dying, and severe weather traps them at the cabin, there is nowhere to go, forcing them to finally and ultimately take stock and confront their past transgressions, considering what they mean to one another and themselves. 

With some of the most luminous and purple prose flexed in recent memory, D. Foy is an incendiary new voice and Made to Break, a grand, episodic debut, redolent of the stark conscience of Denis Johnson and the spellbinding vision of Roberto Bolaño.