“Radio Iris has a lovely, eerie, anxious quality to it. Iris's observations are funny, and the story has a dramatic otherworldly payoff that is unexpected and triumphant.”
—Deb Olin Unferth, New York Times Book Review, Editors' Choice

Radio Iris is the story of Iris Finch, a socially awkward daydreamer with a job as the receptionist/personal assistant to an eccentric and increasingly absent businessman. When Iris is not sitting behind her desk waiting for the phone to ring, she makes occasional stabs at connection with the earth and the people around her through careful observation and insomniac daydreams, always more watcher than participant as she shuttles between her one-bedroom apartment and the office she inhabits so completely, yet has never quite understood. 

Her world cracks open with the discovery of “the man next door.” Over the next few weeks or months (the passage of time is iffy for Iris), she takes it upon herself to learn everything she can about this stranger. But the closer she gets to him, the more troubling questions at the heart of her own life rise to the surface, questions like—Why does she keep having the same dream? Why is it that she and her brother don’t seem to have a single shared memory of their childhood? What is it her boss actually does? In the end, Iris is faced with a choice she never imagined, and a reality she never knew enough to dread.

The Glacier is a spellbinding work in the spirit of Tarkovsky or Jodorowsky that reimagines the American frontier at the turn of the millennium, a time when suburban development was metastasizing and the Social was about to implode. Following a caterer at a convention center, a surveyor residing in a storage unit, and the masses lining up for an Event on the horizon, The Glacier is a poetic rendering of the pre-apocalypse and a requiem for the passing of one world into another.