*Los Angeles Times Book Prize Finalist.
*Best Books of 2015 —NPR,Vanity Fair
*Best Fiction of 2015 —BuzzFeed
*Best Independent Press Books 2015 —Flavorwire
*Favorite Novels 2015 —Largehearted Boy

The language of the stars is the language of the body. Like a star, the anorexic burns fuel that isn't replenished; she is held together by her own gravity.
With luminous, lyrical prose, Binary Star is an impassioned account of a young woman struggling with anorexia and her long-distance, alcoholic boyfriend. On a road-trip circumnavigating the United States, they stumble into a book on veganarchism, and believe they've found a direction.
Binary Star is an intense, fast-moving saga of two young lovers and the culture that keeps them sick (or at least inundated with quick-fix solutions); a society that sells diet pills, sleeping pills, magazines that profile celebrities who lose weight or too much weight or put on weight, and books that pimp diet secrets or recipes for success.

*One of the best books of 2014  —Flavorwire, Entropy Magazine

"Made to Break, D. Foy’s debut novel, snaps. Literary, cinematic... [Foy] is a writing school of one, and Made to Break ushers his literary energies into categorical existence."
—The Daily Beast

Two days before New Years, a pack of five friends—three men and two women—head to a remote cabin near Lake Tahoe to celebrate the holidays. They’ve been buddies forever, banded together by scrapes and squalor, their relationships defined by these wild times. 

After a car accident leaves one friend sick and dying, and severe weather traps them at the cabin, there is nowhere to go, forcing them to finally and ultimately take stock and confront their past transgressions, considering what they mean to one another and themselves. 

With some of the most luminous and purple prose flexed in recent memory, D. Foy is an incendiary new voice and Made to Break, a grand, episodic debut, redolent of the stark conscience of Denis Johnson and the spellbinding vision of Roberto Bolaño.

A daring, captivating, darkly funny novel that grapples with uncertainty and loss in a land of violence and superstition, while questioning whether Magical Realism as a genre is capable of confronting the brutal dissonance of a country that awaits the return of the missing while not wholly acknowledging their death.

Pages of Mourning is a stunning achievement, a pioneering and inventive novel that confronts family history, creativity, Magical Realism, and the impact of violence from Mexico’s drug war, by a magnificent new talent in Diego Gerard Morrison.

*Best Books of 2018 —Entropy

The Blurry Years is a powerful and unorthodox coming-of-age story from an assured new literary voice, featuring a stirringly twisted mother-daughter relationship, set against the sleazy, vividly-drawn backdrop of late-seventies and early-eighties Florida.
Callie—who ages from six to eighteen over the course of the book—leads a scattered childhood, moving from cars to strangers’ houses to the sand-dusted apartments of the tourist towns that litter the Florida coastline.
Callie’s is a story about what it’s like to grow up too fast and absorb too much, to watch adults behaving badly; what it’s like to be simultaneously in thrall to and terrified of the mother who is the only family you've ever known, who moves you from town to town to leave her own mistakes behind.
With precision and poetry, Kriseman's moving tale of a young girl struggling to find her way in the world is potent, and, ultimately, triumphant.

"The Red-Headed Pilgrim is a revelation that achieves starry dynamo-level energy from the jump. Maloney's prose is sharp and vivid, full of trippy precision, and his story is funny, wild, painful and wise."
—Sam Lipsyte, author of Hark and The Ask

The Red-Headed Pilgrim is an irresistible novel of misadventure and new beginnings, of wanderlust and maybe bad decisions, of parenthood and divorce, and of the heartfelt truths we unearth when we least expect it.

With the assurance and grace of her acclaimed novel The Gloaming—which earned her comparisons to Patricia Highsmith—Melanie Finn returns with a precisely layered and tense new literary thriller.

The Underneath follows Kay Ward, a former journalist struggling with the constraints of motherhood. Along with her husband and two children, she rents a quaint Vermont farmhouse for the summer. The idea is to disconnect from their work-based lifestyle—that had her doggedly pursuing a genocidal leader of child soldiers known as General Christmas, even through Kay's pregnancy and the birth of their second child—in an effort to repair their shaky marriage.

It isn't long before Kay's husband is called away and she discovers a mysterious crawlspace in the rental with unsettling writing etched into the wall. Alongside some of the house's other curiosities and local sleuthing, Kay is led to believe that something terrible may have happened to the home's owners.

Kay's investigation leads her to a local logger, Ben Comeau, a man beset with his own complicated and violent past. A product of the foster system and life-long resident of the Northeast Kingdom, Ben struggles to overcome his situation, and to help an abused child whose addict mother is too incapacitated to care about the boy's plight.

The Underneath is an intelligent and considerate exploration of violence—both personal and social—and whether violence may ever be justified.