*Winner of the 2019 Shirley Jackson Awards for Novel
*The Believer Book Awards, 2019: Editors' Longlists in Fiction
*The Northern California ‘Golden Poppy’ Book Awards 2019, Fiction longlist
*2020 VCU Cabell First Novelist Award Longlist
*A Best Book of 2019 —Vulture, Entropy, Buzzfeed, Thrillist

A surreal exploration of one woman’s life and death against a landscape of meat, office desks, and bad men.

The Book of X tells the tale of Cassie, a girl born with her stomach twisted in the shape of a knot. From childhood with her parents on the family meat farm, to a desk job in the city, to finally experiencing love, she grapples with her body, men, and society, all the while imagining a softer world than the one she is in. Twining the drama of the everyday—school-age crushes, paying bills, the sickness of parents—with the surreal—rivers of thighs, men for sale and fields of throats—Cassie’s realities alternate to create a blurred, fantastic world of haunting beauty.

"Daring and unputdownable, The Hare is set to be one of the most talked-about books of 2021."
—Jenny Hollander, Marie Claire

"With The Hare, Melanie Finn has written a powerful story of female perseverance, strength, and resilience. This book has rare qualities: beautiful writing while being absolutely unputdownable, and I will be pressing it into the hands of every reader I know." —Claire Fuller, author of Bitter Orange, Our Endless Numbered Days, and Swimming Lessons

"This is a page-turner about a tough woman and her con-artist lout of a partner, and I will eat my laptop if it doesn’t get optioned for TV or film the minute it hits bookshelves. It is also woven through with ideas about feminism, parenting, narcissism, and self-sufficiency—a book that is easy to read without being remotely lightweight." —Molly Young, Vulture

The Hare is an affecting portrait of Rosie Monroe, her resilience and personal transformation, of her life under the male gaze, and serves as a striking statement about what it means to be a woman in the world.

Raised by a stern grandmother to be obedient and obliging in an unremarkable blue-collar town in Massachusetts, Rosie accepts a scholarship to art school in New York City in the 1980s. One morning at a museum she meets a worldly man twenty years her senior, with access to the upper crust of New England society. Bennett is dashing, knows that “boats” refer to yachts (though you never use the word “yacht”), teaches her which direction to spoon soup, and tells stories of “Hemingway moments,” of escapades with Truman Capote and Hunter Thompson in exotic locales. Soon, Rosie is living in a boathouse with Bennett on Connecticut’s Gold Coast, and a daughter — Miranda — is born, just as Bennett’s current con goes awry and forces them to abscond in the middle of the night to the untamed wilderness of Northern Vermont.

Almost immediately, Rosie and Miranda are left at an uninsulated cabin without a car or cash for weeks at a time, so Bennett can tend to a teaching job that may or may not exist at a local university. Rosie is forced to survive on her own, to care for her young daughter, to learn how to stack firewood, snowshoe into town, hunt for wild game, and forage in the forest. As Rosie and Miranda’s life gradually begins to normalize, Bennett and his cons catch up to him, and Rosie is forced to ultimately confront Bennett’s simmering obsession and malevolence.

The Hare is an astounding new literary thriller from a celebrated author at the height of her storytelling powers.

*A Best Book of 2018 —Kirkus Reviews, BuzzFeed News, Entropy, LitReactor

It’s 16-year-old Edie who finds their mother Marianne dangling in the living room from an old jump rope, puddle of urine on the floor, barely alive. Upstairs, 14-year-old Mae had fallen into one of her trances, often a result of feeling too closely attuned to her mother’s dark moods. After Marianne is unwillingly admitted to a mental hospital, Edie and Mae are forced to move from their childhood home in Louisiana to New York to live with their estranged father, Dennis, a former civil rights activist and literary figure on the other side of success.

The girls, grieving and homesick, are at first wary of their father’s affection, but soon Mae and Edie’s close relationship begins to fall apart—Edie remains fiercely loyal to Marianne, convinced that Dennis is responsible for her mother’s downfall, while Mae, suffocated by her striking resemblances to her mother, feels pulled toward their father. The girls move in increasingly opposing and destructive directions as they struggle to cope with outsized pain, and as the history of Dennis and Marianne’s romantic past clicks into focus, the family fractures further.

Moving through a selection of first-person accounts and written with a sinister sense of humor, The Deeper the Water the Uglier the Fish powerfully captures the quiet torment of two sisters craving the attention of a parent they can’t, and shouldn’t, have to themselves. In this captivating debut, Katya Apekina disquietingly crooks the lines between fact and fantasy, between escape and freedom, and between love and obsession.

Mary Harron, director of American Psycho, announces plans to adapt The Orange Eat Creeps to film!

*National Book Foundation '5 Under 35' Award
*NPR Best Books of 2010
*The Believer Book Award Finalist
*Indie Bookseller's Choice Awards Finalist

A girl with drug-induced ESP and an eerie connection to Patty Reed (a young member of the Donner Party who credited her survival to her relationship with a hidden wooden doll), searches for her disappeared foster sister along “The Highway That Eats People,” stalked by a conflation of Twin Peaks’ “Bob” and the Green River Killer, known as Dactyl.

"A hint of Lynch, a touch of Ferrante, the cruel absurdity of Antonin Artaud, the fierce candour of Anaïs Nin, the stylish languor of a Lana del Rey song."
—The Guardian

As Communism begins to crumble in Prague in the 1980s, Jana’s unremarkable life becomes all at once remarkable when a precocious young girl named Zorka moves into the apartment building with her mother and sick father. With Zorka's signature two-finger salute and abrasive wit, she brings flair to the girls’ days despite her mother’s protestations to not “be weird.” But after scorching her mother’s prized fur coat and stealing from a nefarious teacher, Zorka suddenly disappears.

Meanwhile in Paris, Aimée de Saint-Pé married young to an older woman, Dominique, an actress whose star has crested and is in decline. A quixotic journey of self-discovery, Virtuoso follows Zorka as she comes of age in Prague, Wisconsin, and then Boston, amidst a backdrop of clothing logos, MTV, computer coders, and other outcast youth. But it isn’t till a Parisian conference hall brimming with orthopedic mattresses and therapeutic appendages when Jana first encounters Aimée, their fates steering them both to a cryptic bar on the Rue de Prague, and, perhaps, to Zorka.

With a distinctive prose flair and spellbinding vision, Virtuoso is a story of love, loss, and self-discovery that heralds Yelena Moskovich as a brilliant and one-of-a-kind visionary.

"A story about sex, connection and, comically, the Tasmanian BDSM scene, that is by turns profound and funny."
—Kylie Northover, The Age

New Animal is a poignant, darkly comedic look at human connection from a biting and original new voice in Ella Baxter.

Amelia Aurelia is approaching thirty and her closest relationships — other than her mother — are through her dating apps. She works at the family mortuary business as a cosmetic mortician with her eccentric step-father and older brother, whose throuple’s current preoccupation is with what type of snake to adopt. When Amelia’s affectionate mother passes away without warning, she is left without anchor. Fleeing the funeral, she seeks solace with her birth-father in Tasmania and stumbles into the local BDSM community, where her riotous attempts to belong are met with confusion, shock, and empathy.

Hilarious and heartfelt, New Animal reveals hard-won truths as Amelia struggles to find her place in the world without her mother, with the help of her two well-intentioned fathers and adventures at the kink club.

*Winner of the Rome Prize for Literature 2018-19
*Bard Fiction Prize 2014
*The Believer Book Award Finalist
*One of the Best Books of 2013 —Complex Magazine, Book Riot, Slate, The L Magazine, NPR's 'On Point', Salon

Mazoch discovers an unreturned movie envelope, smashed windows, and a pool of blood in his father’s house: the man has gone missing. So he creates a list of his father’s haunts and asks Vermaelen to help track him down. 

However, hurricane season looms over Baton Rouge, threatening to wipe out any undead not already contained and eliminate all hope of ever finding Mazoch’s father. 

Bennett Sims turns typical zombie fare on its head to deliver a wise and philosophical rumination on the nature of memory and loss.

"Climate change, time travel, startup culture, and volcanic eruptions intertwine in this sui generis outing from [Stintzi]... Told in a series of buzzing numbered fragments, the narrative whirls around a volcano rising in Central Park that looks like Mount Fuji. As the volcano grows, Stintzi builds out the wide-ranging narrative with jump cuts... That Stintzi keeps all these plates spinning is a wonder; that they transform the chaotic present into a fiery, transcendent vision of the future is even more impressive. It’s a brilliant achievement."
—Publishers Weekly, starred review

On June 2, 2016, a protrusion of rock growing from the Central Park Reservoir is spotted by a jogger. Three weeks later, when it finally stops growing, it’s nearly two-and-a-half miles tall, and has been determined to be an active volcano.

As the volcano grows and then looms over New York, an eight-year-old boy in Mexico City finds himself transported 500 years into the past, where he witnesses the fall of the Aztec Empire; a Nigerian scholar in Tokyo studies a folktale about a woman of fire who descends a mountain and destroys an entire village; a white trans writer in Jersey City struggles to write a sci-fi novel about a thriving civilization on an impossible planet; a nurse tends to Syrian refugees in Greece while grappling with the trauma of living through the bombing of a hospital in Kunduz, Afghanistan; a nomadic farmer in Mongolia is stung by a bee, magically transforming him into a green, thorned, flowering creature that aspires to connect every living thing into its consciousness.

With its riveting and audacious vision, My Volcano is a tapestry on fire, a distorted and cinematic new work from the fiercely talented John Elizabeth Stintzi.

*Winner of the European Union Prize for Literature.
"Beňová is at her best when she's funny, and her sense of humor tends toward the dry and the dark. Seeing People Off is a fascinating novel. Fans of inward-looking postmodernists like Clarice Lispector will find much to admire here."
—NPR

There is a liveliness and effervescence to Jana Beňová’s prose that is magnetic. Whether addressing the loneliness of relationships or the effectiveness of rat poison, her voice and observations call to mind the verve and sophistication of Renata Adler or Rosalyn Drexler, while remaining utterly singular.
Seeing People Off follows Elza and Ian, a young couple living in a humongous apartment complex outside Bratislava where the walls play music and talk, and time is immaterial.
Drawing on her memories, everyday interactions, observations of post-socialist realities, and Elza’s attraction to actor Kalisto Tanzi, Seeing People Off is a kaleidoscopic, poetic, and deeply funny portrait of a relationship.

*Lambda Literary Award Winner

In The Correspondence Artist, an unremarkable woman has been carrying on with an internationally recognized artist, largely via e-mail. To protect her paramour's identity, she creates a series of correspondent, alternative lovers in a self-destructing roman à clef.