* A Best Book of 2020 —Kirkus Reviews, Book Riot, CBC, Globe and Mail, Largehearted Boy.

"In sharp pieces infused with a yearning for decolonized love and freedom, Belcourt, of the Driftpile Cree Nation, ably balances poetic, philosophical, and political insights throughout this unique book... An urgently needed, unyielding book of theoretical and intimate strength."
—Kirkus Reviews, starred review

The youngest ever winner of the Griffin Prize mines his personal history in a brilliant new essay collection seeking to reconcile the world he was born into with the world that could be.

For readers of Ocean Vuong and Maggie Nelson and fans of Heart Berries by Terese Marie Mailhot, A History of My Brief Body is a brave, raw, and fiercely intelligent collection of essays and vignettes on grief, colonial violence, joy, love, and queerness.

Billy-Ray Belcourt’s debut memoir opens with a tender letter to his kokum and memories of his early life in the hamlet of Joussard, Alberta, and on the Driftpile First Nation. Piece by piece, Billy-Ray’s writings invite us to unpack and explore the big and broken world he inhabits every day, in all its complexity and contradiction: a legacy of colonial violence and the joy that flourishes in spite of it; first loves and first loves lost; sexual exploration and intimacy; the act of writing as a survival instinct and a way to grieve. What emerges is not only a profound meditation on memory, gender, anger, shame, and ecstasy, but also the outline of a way forward. With startling honesty, and in a voice distinctly and assuredly his own, Belcourt situates his life experiences within a constellation of seminal queer texts, among which this book is sure to earn its place.

Eye-opening, intensely emotional, and excessively quotable, A History of My Brief Body demonstrates over and over again the power of words to both devastate and console us.

*Winner of the Rome Prize for Literature 2018-19

With all the brilliance, bravado, and wit of his award-winning debut, A Questionable Shape, Bennett Sims returns with an equally ambitious and wide-ranging collection of stories.

A house-sitter alone in a cabin in the woods comes to suspect that the cabin may need to be “unghosted.” A raconteur watches as his personal story is rewritten on an episode of This American Life. And in the collection’s title story, a Hitchcock scholar sitting in on a Vertigo lecture is gradually driven mad by his own theory of cinema.

In these eleven stories, Sims moves from slow-burn psychological horror to playful comedy, bringing us into the minds of people who are haunted by their environments, obsessions, and doubts. Told in electric, insightful prose, White Dialogues is a profound exploration of the way we uncover meaning in a complex, and sometimes terrifying, world. It showcases Sims’s rare talent and confirms his reputation as one of the most exciting young writers at work today.

*Winner of the Rome Prize for Literature 2018-19
*Bard Fiction Prize 2014
*The Believer Book Award Finalist
*One of the Best Books of 2013 —Complex Magazine, Book Riot, Slate, The L Magazine, NPR's 'On Point', Salon

Mazoch discovers an unreturned movie envelope, smashed windows, and a pool of blood in his father’s house: the man has gone missing. So he creates a list of his father’s haunts and asks Vermaelen to help track him down. 

However, hurricane season looms over Baton Rouge, threatening to wipe out any undead not already contained and eliminate all hope of ever finding Mazoch’s father. 

Bennett Sims turns typical zombie fare on its head to deliver a wise and philosophical rumination on the nature of memory and loss.

From the award-winning author of A Questionable Shape and White Dialogues, a brilliant, anxious, and hilarious new collection.

A man lends his phone to a stranger in the mall, setting off an uncanny series of Unknown calls that come to haunt his relationship with jealousy and dread. A well-meaning locavore tries to butcher his backyard chickens humanely, only to find himself absorbed into the absurd violence of the pecking order. A student applying for a philosophy fellowship struggles to project himself into the thoughts of his hypothetical judges, becoming increasingly possessed and overpowered by the problem of other minds. And in “The Postcard,” a private detective is hired to investigate a posthumous message that a widower has seemingly received from his dead wife, leading him into a foggy landscape of lost memories, shifting identities, and strange doublings.

Cerebral and eerie, captivating and profound, these thirteen stories expertly guide us through the paranoia and obsession of everyday horrors, not least the horrors of overthinking what other people might be thinking. With all of Sims’s trademark virtuosity, innovation, and wit, Other Minds and Other Stories continues to expand the possibilities of contemporary fiction.

*Lambda Literary Award Winner

In The Correspondence Artist, an unremarkable woman has been carrying on with an internationally recognized artist, largely via e-mail. To protect her paramour's identity, she creates a series of correspondent, alternative lovers in a self-destructing roman à clef.