"A hint of Lynch, a touch of Ferrante, the cruel absurdity of Antonin Artaud, the fierce candour of Anaïs Nin, the stylish languor of a Lana del Rey song."
—The Guardian

As Communism begins to crumble in Prague in the 1980s, Jana’s unremarkable life becomes all at once remarkable when a precocious young girl named Zorka moves into the apartment building with her mother and sick father. With Zorka's signature two-finger salute and abrasive wit, she brings flair to the girls’ days despite her mother’s protestations to not “be weird.” But after scorching her mother’s prized fur coat and stealing from a nefarious teacher, Zorka suddenly disappears.

Meanwhile in Paris, Aimée de Saint-Pé married young to an older woman, Dominique, an actress whose star has crested and is in decline. A quixotic journey of self-discovery, Virtuoso follows Zorka as she comes of age in Prague, Wisconsin, and then Boston, amidst a backdrop of clothing logos, MTV, computer coders, and other outcast youth. But it isn’t till a Parisian conference hall brimming with orthopedic mattresses and therapeutic appendages when Jana first encounters Aimée, their fates steering them both to a cryptic bar on the Rue de Prague, and, perhaps, to Zorka.

With a distinctive prose flair and spellbinding vision, Virtuoso is a story of love, loss, and self-discovery that heralds Yelena Moskovich as a brilliant and one-of-a-kind visionary.

"Originality is met by craft."
—Anne Enright

The award-winning stories in Dima Alzayat’s collection are luminous and tender, whether dealing with a woman performing burial rites for her brother in “Ghusl,” or a great-aunt struggling to explain cultural identity to her niece in “Once We Were Syrians.”

Alzayat’s stories are rich and relatable, chronicling a sense of displacement through everyday scenarios. There is the intern in pre-#MeToo Hollywood of “Only Those Who Struggle Succeed,” the New York City children on the lookout for a place to play on the heels of Etan Patz’s kidnapping in “Disappearance,” and the “dangerous” women of “Daughters of Manāt” who struggle to assert their independence.

The title story, “Alligator,” is a masterpiece of historical reconstruction and intergenerational trauma, told in an epistolary format through social media posts, newspaper clippings, and testimonials, that starts with the true story of the lynching of a Syrian immigrant couple by law officers in small-town Florida. Placed in a wider context of U.S. racial violence, the extrajudicial deaths, and what happens to the couple’s children and their children’s children in the years after, challenges the demands of American assimilation and its limits.

Alligator and Other Stories is haunting, spellbinding, and unforgettable, while marking Dima Alzayat’s arrival as a tremendously gifted new talent.