"A hint of Lynch, a touch of Ferrante, the cruel absurdity of Antonin Artaud, the fierce candour of Anaïs Nin, the stylish languor of a Lana del Rey song."
—The Guardian on Virtuoso

In Yelena Moskovich's spellbinding new novel, A Door Behind A Door, we meet Olga, who immigrates as part of the Soviet diaspora of ’91 to Milwaukee, Wisconsin. There she grows up and meets a girl and falls in love, beginning to believe that she can settle down. But a phone call from a bad man from her past brings to life a haunted childhood in an apartment building in the Soviet Union: an unexplained murder in her block, a supernatural stray dog, and the mystery of her beloved brother Moshe, who lost an eye and later vanished. We get pulled into Olga’s past as she puzzles her way through an underground Midwestern Russian mafia, in pursuit of a string of mathematical stabbings.

"...[a] novel that quietly builds suspense to the last page."
—Dallas Morning News

Now a major motion picture starring Amanda Seyfried. Compared to seminal feminist works such as Charlotte Perkins Gilman’s “The Yellow Wallpaper” and Sylvia Plath’s The Bell Jar, A Mouthful of Air is a powerful, tragic statement on motherhood, family, and survival.

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In 1913, Igor Stravinsky’s The Rite of Spring premiered at the new Théâtre de Champs-Elysées in Paris. The work so perplexed audiences that a riot broke out. “Only a Russian could do that,” says Aleksandr Ivanovich. “Only a Russian could make the whole world go mad.”

A century later, in November 2013, thousands of Ukrainian citizens gathered at Independence Square in Kyiv to protest then-President Yanukovych’s failure to sign a referendum with the European Union, opting instead to forge a closer alliance with President Vladimir Putin and Russia. The peaceful protests turned violent when military police shot live ammunition into the crowd, killing over a hundred civilians.

I Will Die in a Foreign Land follows four individuals over the course of a volatile Ukrainian winter, as their lives are forever changed by the Euromaidan protests. Katya is a Ukrainian-American doctor stationed at a makeshift medical clinic in St. Michael’s Monastery; Misha is an engineer originally from Pripyat, who has lived in Kyiv since his wife’s death from radiation sickness; Slava is a fiery young activist whose past hardships steel her determination in the face of persecution; and Aleksandr Ivanovich, a former KGB agent, climbs atop a burned-out police bus at Independence Square and plays the piano.

As Katya, Misha, Slava, and Aleksandr’s lives become intertwined, they each seek their own solace during an especially tumultuous and violent period. The story is also told by a chorus of voices that incorporates folklore and narrates a turbulent Slavic history.

While unfolding an especially moving story of quiet beauty and love in a time of terror, I Will Die in a Foreign Land is an ambitious, intimate, and haunting portrait of human perseverance and empathy.

""A kaleidoscopic, contemporary folktale with added acerbic juice, like when Dylan went electric. Stintzi somehow funnels the tumultuous present into a sprawling novel of collision and connection that’s both timely and timeless. This is very weird shit indeed."
—Hazel Jane Plante

On June 2, 2016, a protrusion of rock growing from the Central Park Reservoir is spotted by a jogger. Three weeks later, when it finally stops growing, it’s nearly two-and-a-half miles tall, and has been determined to be an active volcano.

As the volcano grows and then looms over New York, an eight-year-old boy in Mexico City finds himself transported 500 years into the past, where he witnesses the fall of the Aztec Empire; a Nigerian scholar in Tokyo studies a folktale about a woman of fire who descends a mountain and destroys an entire village; a white trans writer in Jersey City struggles to write a sci-fi novel about a thriving civilization on an impossible planet; a nurse tends to Syrian refugees in Greece while grappling with the trauma of living through the bombing of a hospital in Kunduz, Afghanistan; a nomadic farmer in Mongolia is stung by a bee, magically transforming him into a green, thorned, flowering creature that aspires to connect every living thing into its consciousness.

With its riveting and audacious vision, My Volcano is a tapestry on fire, a distorted and cinematic new work from the fiercely talented John Elizabeth Stintzi.

"A story about sex, connection and, comically, the Tasmanian BDSM scene, that is by turns profound and funny."
—Kylie Northover, The Age

New Animal is a poignant, darkly comedic look at human connection from a biting and original new voice in Ella Baxter.

Amelia Aurelia is approaching thirty and her closest relationships — other than her mother — are through her dating apps. She works at the family mortuary business as a cosmetic mortician with her eccentric step-father and older brother, whose throuple’s current preoccupation is with what type of snake to adopt. When Amelia’s affectionate mother passes away without warning, she is left without anchor. Fleeing the funeral, she seeks solace with her birth-father in Tasmania and stumbles into the local BDSM community, where her riotous attempts to belong are met with confusion, shock, and empathy.

Hilarious and heartfelt, New Animal reveals hard-won truths as Amelia struggles to find her place in the world without her mother, with the help of her two well-intentioned fathers and adventures at the kink club.

"Daring and unputdownable, The Hare is set to be one of the most talked-about books of 2021."
—Jenny Hollander, Marie Claire

"With The Hare, Melanie Finn has written a powerful story of female perseverance, strength, and resilience. This book has rare qualities: beautiful writing while being absolutely unputdownable, and I will be pressing it into the hands of every reader I know." —Claire Fuller, author of Bitter Orange, Our Endless Numbered Days, and Swimming Lessons

"This is a page-turner about a tough woman and her con-artist lout of a partner, and I will eat my laptop if it doesn’t get optioned for TV or film the minute it hits bookshelves. It is also woven through with ideas about feminism, parenting, narcissism, and self-sufficiency—a book that is easy to read without being remotely lightweight." —Molly Young, Vulture

The Hare is an affecting portrait of Rosie Monroe, her resilience and personal transformation, of her life under the male gaze, and serves as a striking statement about what it means to be a woman in the world.

Raised by a stern grandmother to be obedient and obliging in an unremarkable blue-collar town in Massachusetts, Rosie accepts a scholarship to art school in New York City in the 1980s. One morning at a museum she meets a worldly man twenty years her senior, with access to the upper crust of New England society. Bennett is dashing, knows that “boats” refer to yachts (though you never use the word “yacht”), teaches her which direction to spoon soup, and tells stories of “Hemingway moments,” of escapades with Truman Capote and Hunter Thompson in exotic locales. Soon, Rosie is living in a boathouse with Bennett on Connecticut’s Gold Coast, and a daughter — Miranda — is born, just as Bennett’s current con goes awry and forces them to abscond in the middle of the night to the untamed wilderness of Northern Vermont.

Almost immediately, Rosie and Miranda are left at an uninsulated cabin without a car or cash for weeks at a time, so Bennett can tend to a teaching job that may or may not exist at a local university. Rosie is forced to survive on her own, to care for her young daughter, to learn how to stack firewood, snowshoe into town, hunt for wild game, and forage in the forest. As Rosie and Miranda’s life gradually begins to normalize, Bennett and his cons catch up to him, and Rosie is forced to ultimately confront Bennett’s simmering obsession and malevolence.

The Hare is an astounding new literary thriller from a celebrated author at the height of her storytelling powers.

With the assurance and grace of her acclaimed novels The Hare and The Gloaming—which earned her comparisons to Lauren Groff and Patricia Highsmith—Melanie Finn returns with a precisely layered and tense new literary thriller.

The Underneath follows Kay Ward, a former journalist struggling with the constraints of motherhood. Along with her husband and two children, she rents a quaint Vermont farmhouse for the summer. The idea is to disconnect from their work-based lifestyle—that had her doggedly pursuing a genocidal leader of child soldiers known as General Christmas, even through Kay's pregnancy and the birth of their second child—in an effort to repair their shaky marriage.

It isn't long before Kay's husband is called away and she discovers a mysterious crawlspace in the rental with unsettling writing etched into the wall. Alongside some of the house's other curiosities and local sleuthing, Kay is led to believe that something terrible may have happened to the home's owners.

Kay's investigation leads her to a local logger, Ben Comeau, a man beset with his own complicated and violent past. A product of the foster system and life-long resident of the Northeast Kingdom, Ben struggles to overcome his situation, and to help an abused child whose addict mother is too incapacitated to care about the boy's plight.

The Underneath is an intelligent and considerate exploration of violence—both personal and social—and whether violence may ever be justified.

"A hint of Lynch, a touch of Ferrante, the cruel absurdity of Antonin Artaud, the fierce candour of Anaïs Nin, the stylish languor of a Lana del Rey song."
—The Guardian

As Communism begins to crumble in Prague in the 1980s, Jana’s unremarkable life becomes all at once remarkable when a precocious young girl named Zorka moves into the apartment building with her mother and sick father. With Zorka's signature two-finger salute and abrasive wit, she brings flair to the girls’ days despite her mother’s protestations to not “be weird.” But after scorching her mother’s prized fur coat and stealing from a nefarious teacher, Zorka suddenly disappears.

Meanwhile in Paris, Aimée de Saint-Pé married young to an older woman, Dominique, an actress whose star has crested and is in decline. A quixotic journey of self-discovery, Virtuoso follows Zorka as she comes of age in Prague, Wisconsin, and then Boston, amidst a backdrop of clothing logos, MTV, computer coders, and other outcast youth. But it isn’t till a Parisian conference hall brimming with orthopedic mattresses and therapeutic appendages when Jana first encounters Aimée, their fates steering them both to a cryptic bar on the Rue de Prague, and, perhaps, to Zorka.

With a distinctive prose flair and spellbinding vision, Virtuoso is a story of love, loss, and self-discovery that heralds Yelena Moskovich as a brilliant and one-of-a-kind visionary.

BuzzFeed "Most Highly Anticipated Books Of 2020"

Ant is back in Chicago for a funeral, and he typically enjoys funerals. Since most of his family has passed away, he finds himself strangely attracted to their endearing qualities: the hyperbolic language, the stoner altar boy, seeing friends in suits for the first time. That is, until the tragic death of Ray—Ant’s childhood friend, Vince’s teenage cousin. Ray was the younger third-wheel that Ant and Victor were stuck babysitting while in high school, and his sudden death makes national news.

In the depths of a brutal Midwest winter, Ant rides with Vince through the falling snow to Ray’s funeral, an event that has been accruing a sense of consequence. With a poet’s sensibility, Shah navigates the murky responsibilities of adulthood, grief, toxic masculinity, and the tragedy of revenge in this haunting Midwestern noir.