"Kalani Pickhart's I Will Die in a Foreign Land is of the best kind of protest novels: one that makes you cry, and then makes you mad as hell. It is so far the best artistic treatment of the Euromaidan and Crimean situation, at turns tense, melancholy, and over-abundantly compassionate. This book is both the napalm and the bandages in one."
—Conor Hultman, Square Books (Oxford, MS)

In 1913, Igor Stravinsky’s The Rite of Spring premiered at the new Théâtre de Champs-Elysées in Paris. The work so perplexed audiences that a riot broke out. “Only a Russian could do that,” says Aleksandr Ivanovich. “Only a Russian could make the whole world go mad.”

A century later, in November 2013, thousands of Ukrainian citizens gathered at Independence Square in Kyiv to protest then-President Yanukovych’s failure to sign a referendum with the European Union, opting instead to forge a closer alliance with President Vladimir Putin and Russia. The peaceful protests turned violent when military police shot live ammunition into the crowd, killing over a hundred civilians.

I Will Die in a Foreign Land follows four individuals over the course of a volatile Ukrainian winter, as their lives are forever changed by the Euromaidan protests. Katya is a Ukrainian-American doctor stationed at a makeshift medical clinic in St. Michael’s Monastery; Misha is an engineer originally from Pripyat, who has lived in Kyiv since his wife’s death from radiation sickness; Slava is a fiery young activist whose past hardships steel her determination in the face of persecution; and Aleksandr Ivanovich, a former KGB agent, climbs atop a burned-out police bus at Independence Square and plays the piano.

As Katya, Misha, Slava, and Aleksandr’s lives become intertwined, they each seek their own solace during an especially tumultuous and violent period. The story is also told by a chorus of voices that incorporates folklore and narrates a turbulent Slavic history.

While unfolding an especially moving story of quiet beauty and love in a time of terror, I Will Die in a Foreign Land is an ambitious, intimate, and haunting portrait of human perseverance and empathy.

"Climate change, time travel, startup culture, and volcanic eruptions intertwine in this sui generis outing from [Stintzi]... Told in a series of buzzing numbered fragments, the narrative whirls around a volcano rising in Central Park that looks like Mount Fuji. As the volcano grows, Stintzi builds out the wide-ranging narrative with jump cuts... That Stintzi keeps all these plates spinning is a wonder; that they transform the chaotic present into a fiery, transcendent vision of the future is even more impressive. It’s a brilliant achievement."
—Publishers Weekly, starred review

On June 2, 2016, a protrusion of rock growing from the Central Park Reservoir is spotted by a jogger. Three weeks later, when it finally stops growing, it’s nearly two-and-a-half miles tall, and has been determined to be an active volcano.

As the volcano grows and then looms over New York, an eight-year-old boy in Mexico City finds himself transported 500 years into the past, where he witnesses the fall of the Aztec Empire; a Nigerian scholar in Tokyo studies a folktale about a woman of fire who descends a mountain and destroys an entire village; a white trans writer in Jersey City struggles to write a sci-fi novel about a thriving civilization on an impossible planet; a nurse tends to Syrian refugees in Greece while grappling with the trauma of living through the bombing of a hospital in Kunduz, Afghanistan; a nomadic farmer in Mongolia is stung by a bee, magically transforming him into a green, thorned, flowering creature that aspires to connect every living thing into its consciousness.

With its riveting and audacious vision, My Volcano is a tapestry on fire, a distorted and cinematic new work from the fiercely talented John Elizabeth Stintzi.