*A Best Book of 2019 —Pop Matters
*A Most Anticipated Book of 2019 —LitReactor, The A.V. Club, Big Other

"A complete, deep, satisfying read... The variety of structures, formats, and rhythms Perry uses in Some of Us Are Very Hungry Now is extraordinary... These essays shine with broken humanity and announce the arrival of a new voice in contemporary nonfiction, but they do so with heaps of melancholia and frustration instead of answers. That Perry can hurt us and keep us asking for more is a testament to his talent as a storyteller."
—Gabino Iglesias, NPR

With luminous insight and fervent prose, Andre Perry’s debut collection of personal essays travels from Washington DC to Iowa City to Hong Kong in search of both individual and national identity. While displaying tenderness and a disarming honesty, Perry catalogues racial degradations committed on the campuses of elite universities to liberal bastions like San Francisco while coming of age in America.

The essays in Some of Us Are Very Hungry Now take the form of personal reflection, multiple choice questions, screenplays, and imagined talk-show conversations, while traversing the daily minefield of a childhood schoolyard to dimly-lit late nights in Midwestern bars. The impression of Perry’s personal journey is arresting and beguiling, while announcing the author’s arrival as a formidable and ferocious American voice.

"Savage Gods is a beautiful, intelligent, extremely poetic book about a writer dissecting his thoughts and feelings on the page without the protective layer of fiction."
—Gabino Iglesias, NPR

After moving with his wife and two children to a smallholding in Ireland, Paul Kingsnorth expects to find contentment. It is the goal he has sought — to nest, to find home — after years of rootlessness as an environmental activist and author. Instead he finds that his tools as a writer are failing him, calling into question his foundational beliefs about language and setting him at odds with culture itself.

Informed by his experiences with indigenous peoples, the writings of D.H. Lawrence and Annie Dillard, and the day-to-day travails of farming his own land, Savage Gods asks: what does it mean to belong? What sacrifices must be made in order to truly inhabit a life? And can words ever paint the truth of the world — or are they part of the great lie which is killing it?

*Best of 2017 —San Francisco Chronicle

"Raw-edged and whippet-thin, Sirens swings from tales of bawdy addiction to charged moments of a father struggling to stay clean. Mohr’s prose is lean and scrappy—a featherweight boxer that packs a punch.”
—Los Angeles Times

With vulnerability, grit, and hard-won humor, acclaimed novelist Joshua Mohr returns with his first book-length work of non-fiction, a raw and big-hearted chronicle of substance abuse, relapse, and family compassion.

Sirens provides a harrowing and complicated account of Mohr's years of substance abuse and culpability. Employing the characterization and chimerical prose for which he has been lauded, Mohr leaves no rock from his sordid past un-turned, from his childhood swilling fuzzy navels as a latch-key kid, through the black-outs and fist-fights, his first failed marriage to his path to sobriety, through the birth of his daughter and the three strokes he suffers in his thirties that reveal he has a literal hole in his heart.

Sirens is a spectacularly moving tome of honesty and emotion from one of our most gifted contemporary writers.

*One of the Best Books of 2013 —The Millions, Flavorwire, Dazed & Confused, The L Magazine, Time Out Chicago

"McClanahan's prose is miasmic, dizzying, repetitive. A rushing river of words that reflects the chaos and humanity of the place from which he hails. [McClanahan] aims to lasso the moon... He is not a writer of half-measures. The man has purpose. This is his symphony, every note designed to resonate, to linger."
—New York Times Book Review

Synopsis

Crapalachia is a portrait of Scott McClanahan’s formative years, coming of age in rural West Virginia, during a stretch of time where he was deeply influenced by his Grandma Ruby and Uncle Nathan, who suffered from cerebral palsy.

Peopled by colorful characters and their quirky stories, Crapalachia interweaves oral folklore and area history, providing an ambitious and powerful snapshot of overlooked Americana.

Beyond the artistry, there is an optimism, a genuine love for people and the past and memories. Even more, there is a grasp to bridge the disconnect between reader and writer, for McClanahan’s stories to bind us closer to one another.